Embedded Files
Curatorship and audio-visual exhibitions
Grosman, C; Cáceres, J. P.; Noguera J.M. y de la Fuente, E. (2023). Nube Haiku (Cloud Haiku). Interactive transdisciplinary audio-visual poetic performance. Role: Research-Creation Direction and production. Presented at the “Tecno Kermes” (Institute of Visual Expresion, National University of San Juan [UNSJ], Argentina) 1/12/2023 Garden of Memory. UNSJ.
Grosman, C; Pósleman, C y Rostagno, I. (2023) “Tecno Kermes”, tecno-aesthetic interdisciplinary collective art exhibition, Institute of Visual Expression, National University of San Juan [UNSJ], Argentina) 1/12/2023 Garden of Memory. UNSJ.
https://iev.ffha.unsj.edu.ar/2023/12/22/tecno-kermes-2023-registro-del-evento/
Lalanne, I., Grosman, C., Ruíz, J. (2023). Más allá del cuerpo: dimensiones foto-poéticas y fono-poéticas andinas [ Beyond the body Andian photo-poetics and phono-poetic dimensions]. Artistic transdisciplinary interactive exhibition involving Painting, Photography, Digital image and sound interventions. June-July. Role: Exhibition’s curator and phono-poetic intervention’s producer. Centro Cultural Estación San Martin, Ministerio de Turismo y Cultura de San Juan, San Juan, Argentina. https://municipiosanjuan.gob.ar/noticias/item/2964-mas-alla-del-cuerpo-es-la-nueva-muestra-que-recibe-la-estacion
Gómez Medero, R y Grosman, C. (2022). “Primer movimiento sobre Gibosa Menguante” [ First moviment on Winning Moon] en Ramón Gómez Medero (dir.) Poéticas del Disturbio (largometraje digital, Full HD, Color, 120’) [ on Poetics of Disturbance, feature film]. San Juan, Argentina: Maricarmen visuals. Exhibited at the Centro Cultural Argot, Santiago de Chile, 26/10/2022.
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Grosman, C. et al (2022) Preludio a Medallo 9.pm (Prelude to Medellin 9pm), transdisciplinary, interactive art-house exhibition. Centro Cultural Conte Grand, San Juan, Argentina, May to August [Curator and Producer]. Links: https://www.youtube.com/watch?v=NvnCTarg5F0&ab_channel=ArielRobles
Grosman, C. and Ruiz, J. (2021). Performative and interactive art installation Take a sit: Photography as an act of faith [creator, performer, mise en scene, producer]. Institute of Visual Expression Annual Kermese, Faculty of Philosophy, Humanities and Arts, National University of San Juan, San Juan, Argentina. 15/12
Grosman, C. et al. (2018). Mundo de siete pozos un largo camino al mar (World of Seven Wells, a long walk towards the sea); Digital art-house video and multimedia exhibition. Studio One Toi Tū, Art Canter. Auckland, New Zealand. 25 October. [Scriptwriter, Director and Visual designer]. Link to exhibition: https://www.facebook.com/alacinc.nz/videos/2157883594435472; https://youtu.be/eQ2UAzcBD_0
Grosman, C. et Al. (1999). Mundo de siete pozos (World of Seven Wells). [Scriptwriter, Director and Visual designer]. Fiction Film, 35’ and 3 x 50m2 exhibition rooms with multimedia installation. Córdoba, Argentina. Screened at “Alfonsina Storni's Commemoration”, Mar del Plata Theatre-Auditorium, Mar del Plata, Argentina: July 6, 2006 (Film only)/ “Poetics of Exile, an International Conference”, The University of Auckland, Auckland, New Zealand, July 19, 2003 (Film only)/ Goete Institute, San Juan, Argentina, September 9, 1999. (Film only)/ “VI Latin American Festival of Video, Rosario”, Santa Fé, Argentina, September 7, 1999 (Film only)/ “Villa Maria Cultural Centre”, Villa Maria, Córdoba, Argentina, July 20 to August 20, 1999 (Film and exhibition)/ 1999 “San Martín Theatre”, Córdoba, Argentina, June 4 to July 12, 1999. (film and exhibition)
Grosman, C. Galeto, L. & Reyes, T., (1999). Subcielo (Underheaven). Fiction, 35’, Córdoba, Argentina [co-writer and sound director]. Screened at “Visual Anthropology Workshop”, New Zealand Centre for Latin American Studies (NZCLAS), The University of Auckland, Auckland, New Zealand, 15 September, 2003/ “Third Conference on Diverse Communicational Experiences of Córdoba and their Social Repercussion”, Centre for the Study of Social Communication, Córdoba, Argentina, 10 November, 1999/ “Audio-visual Córdoba ‘99”, Córdoba, Argentina, 4 October, 1999.
Grosman, C. & Reyes, T. (1998). Viento del sur (Southern Wind). Documentary, 25’, Córdoba, Argentina, [Co-Director]. Screened at “Visual Anthropology Workshop”, New Zealand Centre for Latin American Studies (NZCLAS), The University of Auckland, Auckland, New Zealand, 15 September, 2003/ “Universidad y Sociedad” (Television programme “University and Society”) Channel 2, Córdoba, Argentina, October, 1999.
Matellán, S. & Grosman, C. (1998). Elogio al viento. (Eulogy to the Wind). 2D Stop-motion Animation, 12’, Córdoba, Argentina. [Scriptwriter, Visual designer and editor]. Exhibited at: Film Studies Department’s Annual Exhibition, National University of Córdoba, 15 December, 1999. / “IX National Congress of Anthropological Film”, National Institute of Anthropology and Latin American Thinking, Secretary of Culture, Presidency of the Nation, Córdoba, 10 September, 1999. https://www.youtube.com/watch?v=E_fSj3WL3gw&ab_channel=JOSEPELUC
Conferences and Simposium
Conferences and Simposium
International Conferences
International Conferences
2024
Conference “Cinema and Postdictatorship, Memory’s sequences” on National Day of Memory for Truth and Justice. Delivered by Dr. Cristina Pósleman, Dr. Carla Grosman and Dr. Gerardo Tripolone. Organized by the Visual Expression Institute, Faculty of Philosophy Humanities and Arts, National University of San Juan, Argentina. 24/3/24.
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2023
“Community cinema at San Juan of the frontier”. XII International Congress of Theory and History of Art/ XX Conference of CAIA. National University of Rosario, Faculty of Humanities and Arts, CAIA (Argentina’s Center of Art Research). Session: Historical and contemporary developments in Argentinean national cinemas’ regional modes of production. 5/10
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2022
“La ecología mediática audiovisual cuando ‘las bases’ se sacuden. Radio La Lechuza y la comunicación comunitario-resiliente” (Audiovisual Media Ecology, when the grassroots are shaken. Radio The owl and community resilient communication) VIII Congress of the Argentine Association of audiovisual and cinema studies (AsAECA) “Cartografías del devenir: Territorios, Prácticas, Políticas y Lenguajes”. (“Cartographies of the future: territories, practices and languages”). Córdoba: Universidad Nacional de Villa María (UNVM). 30/4
2021
“Community cinema as Decolonial Pedagogy’s praxis technology: The social and community cinema network of Cordoba”. National Autonomous University of Mexico (UNAM): Economy research institute. 3rd International Congress on Decoloniality of Power: Homage to Anibal Quijano; Encounters and Decolonial dialogues on time and space diversity 18/11
“La mesa (red) de cine social y comunitario de Córdoba en la praxis de la pedagogía decolonial” ((The social and community cinema network of Cordoba in Decolonial Pedagogy’s praxis) IELAC Instituto de Estudios de Latinoamérica y el Caribe (Caribean and Latin American Studies Institute) V Jornadas Internacionales de Estudios de América Latina y el Caribe “Escenario regional de ofensiva capitalista y rebeliones populares” ( V Simposium on Latin American and Caribean Studies “Regional scene of capitalist ofenssive and popular rebelions” University of Buenos Aires, 28/10.
Presentation of the chapter “Poiésis del Cine Latinoamericano frente a los aplazamientos de la aporía de emancipación poscolonial” (Latin American cinema’s poiesis facing the epistemological aporía of poscolonial emancipation) in De Oto, A. (comp.) (2020). Ejercicio sobre lo postergado. Escritos poscoloniales (Exercises on postponements. Poscolonial writings). Guaymallen, Mendoza: Qellqasqa. 22° Congresso de Leitura do Brasil, “Leituras Plurais, Escritas Equilibristas” (22nd Brasilian Congress of Reading “Plural Reading, equilibrist writings”). Panel “Jumping without net, conceptual modulations between postcolonial critique and poscestructuralist philosophy. Reading Association of Brasil, University of Campignas, Brasil. 5/8
“Investigación-creación artística un trayecto con accidentes” (art-based research-creation a journey full of accidents). CILAC, Foro Abierto de Ciencias de América Latina y el Caribe (Open fórum of Latin American and Caribean Sciences) Session: “La Investigación Artísticas y las Ciencias Humanas, una minoría que avanza en la integración y validación del sistema de producción científico-tecnológico regional” (art based research and Human sciences at the process of legitimization of its regional scientific and technological production”. Coordinator, Academic Department of Human Sciences, National University of La Rioja, Argentina and the Argentinean Art University Network’s commission on art based research /production. 29/4.
2020
“Cine comunitario como tecnología para la praxis de la pedagogía decolonial: el caso de La mesa de cine social y comunitario de Córdoba” (Community cinema as technology for the praxis of Decolonial Pedagogy: The social and community cinema network of Cordoba’s case) V International Congress of Poscolonial Studies y VII Symposium of Poscolonial Feminism “Una nueva poética (erótica) de la Relación, para una nueva política de lo diverso y de las futuridades. Abriendo mundos poscoloniales” (A new (erotic) poetic of the relation, for a new poetic of diversity and futurity) Online format. Organized by (IDAES/UNSAM), Frontier and Transfrontier Thinking in Feminist Studies; Poscolonial Program, Programa Suth-South (CLACSO)- Faculty of Social sciences, National University of Buenos Aires, 4/12 .
“Talleres de cine comunitario como pedagogía decolonial” (Community cinema workshops as decolonial pedagogy) VII Congreso Internatcional de la Asociación Argentina de Estudios sobre Cine y Audiovisual (AsAECA) “Nuevas formas del Cine y del Audiovisual: Géneros, Afectos, Identidades y Política” (VII International Congress of ASAECA “ New Audiovisual and Cinematic forms; Gender, Afects, Identity and Politics”). On line mode. 28/11
2019
“Cine comunitario y democratización del espacio cultural” (Community cinema and cultural democratization). Encuentro International de la Red de Investigadores sobre Apropiación de Tecnologías Digitales (RIAT). (International encounter of the Digital technology appropriations researcher network) Ozorno, Chile, Universidad de los Lagos. 11/10.
“Cortometrajes de largas distancias: Cine exprés, la multiplicación de un modelo” (Short films going long distances. Cinema express, the multiplication of a model) XVII Encuentro Internacional de Carreras de Comunicación - ENACOM “Comunicación, poder y resistencias: transformaciones de una cartografía contemporánea” (XVII International Encounter of Communication careers ENACOM “Communication, Power, and resistence, transformation of a contemporary cartography”) Facultad de Ciencias de la Comunicación Universidad Nacional de Córdoba. 5/9
“Universidad/Cine comunitario cordobés: dialéctica hacia la legitimación de saberes otros” (University/ Cordoba’s community cinema: dialectic towards the legitimation of Other knowledges) co-writen with Dr. Elizabeth Vidal. XVII International Encounter of Communication careers ENACOM “Communication, Power, and resistence, transformation of a contemporary cartography” Facultad de Ciencias de la Comunicación Universidad Nacional de Córdoba. 5/9
2018
“The Allegory of the Motionless Traveler. A Poietical Model”. VI International Congress on Latin American Studies: Alternative tours of Modernity in Our America. Faculty of Philosophy and Letters. National University of Cuyo, Mendoza, Argentina, 16/11.
2012
“Utopian Zombies in the Cuban film Juan of the Dead (2011).” X Biennial Congress of the Association of Iberian & Latin American Studies of Australasia (AILASA). University of Victoria, Wellington, New Zealand, 9/7.
“The Sea between Us: Intergenerational Conflict of Argentinians Exiles in Spain. The Perspective of Film Director Adolfo Aristaraín.” Global Crossroads: Redefining Spain in the 21st Century. The University of Auckland, Auckland, New Zealand, 12/4.
2011
“Ethos, Pathos y Logos of Cuban Revolution’s image: Photography and Film in the battle for cultural hegemony”. Conference “Expanding Documentary”, (AUT) Auckland University of Technology, Auckland, New Zealand, 8/12.
2010
“Travel and Testimony in the Argentinean Cinema of the Neoliberal Era: Crisis and Revival of Utopia.” International Congress Utopia. Technologic of Monterrey, Monterrey, Mexico, 24/8.
“Short Films going Long Distances: Interculturality as a Form of Epistemic Independence.” IX Biennial Association of Iberian & Latin American Studies of Australasia Conference: The Australian National University, Canberra, Australia, 8/7.
2003
“On the melancholy of the unrepresentable: A wall of silence, the allegory in the process of mourning”. En The Poetic of Exile, an International Conference”, The University of Auckland, Auckland, New Zealand, 18 /7.
Simposiums
Simposiums
2023
‘This is the hour of furnaces and there will be nothing but light: Aesthetical-narrative strategies of the 60’s New Latin American Cinema as a form of social counter hegemonic practice’. Binational Encounter of Social Sciences Researchers Argentina’s mid-west and Chile’s IV región. National University of San Juan, Faculty of Social Sciences. Session: Political conflict, cinema and legal rights: on State interventions and regulations over cinematographic production and exhibition. 8/9
“Introducing the seminar ‘Community cinema and decolonial thought’ ”. I Conference of art research-creation projects divulgation. National University of San Juan. Faculty of Philosophy, Humanities and Arts (FFHyA), Department of Visual Arts. 29/6
“Presenting the Project: Cinema between the war and the constitution: State Regulations to cinema’s production and exhibition
in Argentina 1955-1973”. I Conference of art research-creation projects divulgation. National University of San Juan. Faculty of Philosophy, Humanities and Arts (FFHyA), Department of Visual Arts 30/6
2022
“Resilience Communication: Radio La Lechuza, Community Radio & Social Change”. Dialogues, screen practices postgraduate symposium. Auckland University of Technology. Centre for Screen Practice Research. Faculty of Design & Creative Technologies. School of Communication Studies. 15/10
2021
“La Imagen de una corporalidad en peligro. Percepto entre los cortometrajes de tesis ENERC cuyo 2018-2019” (The image of an endengered corporality. Percept among ENERC theses short films 2018-1019) IV Latin American Simposium on comparative studies. Latin American and Argentinean regional cinema historical turns. Faculty of Philosophy and Letter, University of Buenos Aires, Buenos Aires, Argentina. 12/11
2019
“The spectrum of absence”. National University of Córdoba. Faculty of Communication Sciences. Semana de la Memoria: “Narraciones y renarraciones de la memoria en la producción cultural pre y post dictadura” (Memory week: Narrations and re narrations of memory, on pre and post dictatorship cultural production) 22/3.
2016
“The secret on her/his/their eyes, perspective subjectivization and the internationalization of Argentinean Cinema”. NZCLAS Seminar series National Cinemas, Transnational productions: Does nationality matters?, Center for Latin American Studies (NZCLAS), The University of Auckland, Auckland, New Zealand, 5/10.
2015
“Adolfo Aristaraín's cinema under three analytic contexts: hypo, hyper and inter-text”. STANZA (Spanish Teacher Association in New Zealand-Aoteroa) Professional training conference, Auckland, New Zealand, 22/2.
2013
“The Allegory of the Standstill Traveler: Crisis and Reconstruction of Utopia in the Latin American Cinema of the Neoliberal Era”. Summer Seminar on Travelling Research. Coordinated by ENLACES (Engaging Latin American Culture Education and Students), and NZCLAS (New Zealand Centre for Latin American Studies), The University of Auckland, Auckland, New Zealand, 1/2.
2012
“The Allegory of the Motionless Traveler: Crisis and Reconstruction of Utopia in the Latin American Cinema of the Neoliberal Era.” School of European Languages & Literature Research Seminar Series. The University of Auckland, Auckland, New Zealand, 8/8. (Invited Lecturer)
2011
“Juan of the Dead: Another Revolution?” Latin American Studies Post-graduate Seminar, The University of Auckland, Auckland, New Zealand, 26/10. (Invited Lecturer)
2009
“Voyages and Longing in Argentine Cinema.” School of European Languages & Literature Postgraduate Symposium. The University of Auckland, Auckland, New Zealand, 20/10.
“The Spectrum of Absence: Argentinean post dictatorship cinema as a re narration of collective memory” Postgraduate seminars, Graduate office, Nacional University of Cordoba. 1/10.
2003
“The Journey of Representation.” Visual Anthropology Workshop, New Zealand Centre for Latin American Studies (NZCLAS). The University of Auckland, Auckland, New Zealand, 15-16 September.
1999
“Subcielo: Representación en y de la Realidad.” (Underheaven: Representations in and of reality). Tercera Conferencia sobre “Distintas expresiones comunicacionales de Córdoba y su repercusión social (3rd Conference on Cordoba’s different comunicational expressions and their social repercusions) CEICOS (Centro de estudios e investigaciones en comunicación social/ Social Communication research center), Córdoba, Argentina. 10/11. (Invited Lecturer)
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