Short Seminars

2023

“Viaje, Utopía y Neoliberalismo en el Cine Latinoamericano” (Travel, Utopia and Neoliberalism in Latin American Cinema). Curso-Taller: Praxis Epistémicas Contra-hegemónicas. Cine, Metáforas y Feminismos (Seminar workshop: Counter-hegemonic epistemic praxis. Cinema, Metaphors and Feminisms. Institute of Philosophy, Faculty of Philosophy, Humanities and Arts, National University of San Juan. 1/11 (Invited Lecturer)

2022  

“Sobre el poder del texto cinematográfico como narrativización de la hegemonía peronista en Las Aguas Bajan Turbias de Hugo del Carril (1952)” ( On the power of cinematic text as peronist hegemony narration in Hugo del Carril’s  Dark River (1952)), Seminar series: La escena Justa, debates sobre las regulaciones cinematográficas entre 1914 y 1955 (Just Scene, debates on the cinematographic regulations of argentinean cinema from 1914 to 1955)  Organized by the Project SECyT (FFHyA), “Cinema, State and Constitution. Regulations on Argentinean cinematographic (1914-1955)” Faculty of Social Sciences (Judicial Science Research Lab) and Faculty of Philosophy, Humanities and Arts (Institute of Visual Expression), National University of San Juan. 19/10.  (Seminar coordinator and Lecturer)

“Representación cinematográfica de lo real como rol performativo en las dinámicas de construcción social” (Cinematographic representation of reality and its performative rol in dynamics of social construction) Curso-Taller: Praxis Epistémicas Contra-hegemónicas. Cine, Metáforas y Feminismos (Seminar workshop: Counter-hegemonic epistemic praxis. Cinema, Metaphors and Feminisms. Institute of Philosophy, Faculty of Philosophy, Humanities and Arts, National University of San Juan. 18/10. (Invited Lecturer)

2021

“Cine como aparato ideológico” (Cinema as ideological apparatus). Seminar series: Cine Silente, Cine Sonoro y Cine Silenciado. Cuestiones sobre las regulaciones del cine en Argentina (1914-1955). (Silent cinema, Sound cinema and Silenced cinema, on the matters of Argentinean cinema regulations 1914-1955). Organized by the Project SECyT (FFHyA), “Cinema, State and Constitution. Regulations on Argentinean cinematographic (1914-1955)” Faculty of Social Sciences (Judicial Science Research Lab) and Faculty of Philosophy, Humanities and Arts (Institute of Visual Expression), National University of San Juan. 16/9. (Invited Lecturer)

Cine Silente, Cine Sonoro y Cine Silenciado. Cuestiones sobre las regulaciones del cine en Argentina (1914-1955). (Silent cinema, Sound cinema and Silenced cinema: on the matters of Argentinean cinema regulations 1914-1955). Organized by the Project SECyT (FFHyA), “Cinema, State and Constitution. Regulations on Argentinean cinematographic (1914-1955)” Faculty of Social Sciences (Judicial Science Research Lab) and Faculty of Philosophy, Humanities and Arts (Institute of Visual Expression), National University of San Juan. 2,9,16 and 23/9. (Seminar coordinator and coorganizer)

2020

“Cortometrajes de largas distancias: Cine exprés, la multiplicación de un modelo”. (Shortfilms going long distances: Cinema express, the multiplication of a model) Seminar series: Actualidad en los cines regionales en Argentina y América Latina. Diversidad y desafíos del Siglo XXI. (Currency of Latin American and Argentinean regional cinemas: Diversity and Twenty first Century challenges). Centro de Investigación y Nuevos Estudios sobre Cine (CIyNE). Instituto de Historia del Arte Argentino y Latinoamericano, Universidad de Buenos Aires, (New Studies on Cinema Research Center), Intitute of Argentinean and Latin American Art History, Faculty of Philosophy and Letters, National University of Buenos Aires), Argentina. 27/7.  https://www.youtube.com/watch?v=2Oag2M4We0M&ab_channel=CIyNEUBA.  (Invited Lecturer)

2019 

 “Ontological, Epistemological and methodological perspectives of art-based research” at the Seminar series “Scientific reading and writing”, Faculty of Architecture, Urbanism and Design. National University of San Juan. 30/8. (Invited Lecturer) 

“The Spectrum of Absence: Argentinean post dictatorship cinema as a re narration of collective memory” Seminar series at the IV encounter of ACCOR (Asociación Cinematográfica Cordobesa/ Cordoba’s Cinematographic Association). Facultad de Artes, Universidad Nacional de Córdoba. 24/8.  (Seminar coordinator and Lecturer)

“Caravan of perspectives on community cinema and cultural democracy” 2nd Biennia of Journalism and Communication, Faculty of Communication Sciences, National University of Cordoba, Argentina.  4/6. (Seminar coordinator and Lecturer)

“Narrations and Re narrations of memory on pre and post dictatorship cultural production: The Spectrum of Absence". Week of Memory. Faculty of Communication Sciences, National University of Cordoba, Argentina.  22/3. (Seminar coordinator and Lecturer)

2018 

 “Cinema made with neighbours.  Amateur community cinema in Neoliberal Argentina”. Postgraduate Seminar Series, Auckland University of Technology, Auckland, New Zealand, 21/6.

Presente- 2020 AsAECA (Argentinean association of Cinematographic Studies)

Presente- 2019  RIAT (Appropriation of Technology research network) International

Presente- 2018  SSAAANZ (Screen Studies Association of Australia and New Zealand Aotearoa)

Presente- 2018 ALAC (Aoteroa Latin American Community; Area Cultural, Sección Audiovisual)

Presente- 2017 NZARE (New Zealand Association for Research in Education)

Presente- 2013 LASA Latin American Studies Association

Presente- 2010 AILASA Asociassion of Iberian and Latin American Studies